Counsel Langley: Seattle Time

Friday, August 29, 2008

Seattle Time

Just got back from Seattle where I met with the folks at Mithun to talk about a show I'm going to do there next May. I'll be presenting all new, site specific work. I do love architects! I've wanted to do something like this for some time now. Very excited.

While in town I had the pleasure to meet Laurie Kearney, the force behind Ghost Gallery. I left a bunch of paintings with her for an upcoming show at Stylus (see previous post).

I also delivered this painting to Flying House Productions for their upcoming fundraiser auction. Great art, good cause, fun fun.

In addition, Emerald spent a couple of hours being in an music video for a new "Awesome" song called What They Do.

And we went to the zoo for Dare's 2nd birthday.
[zoo photos by David Nixon]

And Emerald discovered that she has her first loose tooth.
[she's wearing a Britney Davis necklace]

2 comments:

Sarah said...: Whoa! Congratulations on the Mithun deal. I know a couple of the kids there, great people and phenomenal work. Woohoo!; August 30, 2008 at 6:01 PM
Lara said...: Your artwork is amazing and your daughters are delightful! You and I danced with Kim & Joan in Port Townsend many moons ago :) Glad to see that things are going well for you and that there is lots of wonder in your world!
Lara (used to be Yates); September 19, 2008 at 12:13 PM

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Using acrylic, ink and immodest amounts of glitter my work is the balance between two opposing approaches. One, loose painting techniques such as dripping, pours, splatters, which I use to create effective representations of natural elements—weather, water, clouds, smoke, flora, erosion, growth, galaxies . . . . The other approach, that of the tool user, with pen and ink and architects' templates, drafting implements and compasses, I fastidiously draw controlled lines, concentric circles, grids and repetitive dots; these reflect structures and infrastructures that we build.

I am influenced by the look of outer space, computer chips, dramatic weather, electric circuits, decay, rock-n-roll glamour, plans and diagrams, b-rate sci-fi control panels, urban environments, fluid turbulence, engineering schematics and architectural drawings. In the end my dominate subject matter remains the human condition; why and where we build, how we feel, what we do, and what happens when these things intersect.

By the way, musicians IOU. Someday, with my lines, dots, colors and sparkles, I hope to do what you do with an eight letter alphabet.

—Counsel, 2009

Native to the Northwest, Counsel Langley's award-winning work has been exhibited regionally in numerous solo and juried shows, published in select book projects, such as, Jennifer Borges Foster's Filter II and Visual Codec's One Shot, and is held by Seattle City Light's Portable Works Collection. Langley received a BFA in Metals from Massachusetts College of Art, Boston in 1999. Metalsmithing’s emphasis on small-scale details and rich surfaces directly impacts her technique as a painter.

At present, she resides happily in the Pacific Northwest with her commercial fisherman husband and two children.

WHAT THEY SAID

"A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects."
—Robert A. Heinlein

"Inspiration is for amateurs; the rest of us just show up and get to work."
—Chuck Close

"There is no time for cut-and-dried monotony. There is time for work. And time for love. That leaves no other time!"
—Coco Chanel

Friday, August 29, 2008

Seattle Time

2 comments:

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WHAT THEY SAID

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