Counsel Langley: Erin Sherry Makes Awesome Clothes

Saturday, March 21, 2009

Erin Sherry Makes Awesome Clothes

I've brought you good food, great music and now (it's about time) for some hot clothes. Erin Sherry is one of my dearest friends, meticulous with needle and thread, and a brilliant clothing designer. Here's a sampling of her latest collection, shot on location in San Diego by photographer Kat Woronowicz.

Pinky red cotton, burgundy piping, front pockets, cream hand stitching, button back

Erin makes clothes for women with bods of all shapes and sizes. Everything is impeccably made, sexy-cute, and made with the premise that true gorgeousness is always comfortable.

You can see my particular attraction to her work is in the details. Lines of piping, shining dots of the snaps laid out in a unique 1, 2, 1, 2 . . . pattern. Wonderful!

JUMPSUIT! fine wale midnight blue corduroy, red piping, pears snaps, front fly

Organic cotton woven sweater, burgundy piping, front pockets, pearl snaps.
Skirt, purple cotton, cream hand stitching

And, now, drumroll please . . .
The Best Pants in The Universe:

Organic cotton woven sweater, burgundy piping, pearl snaps
Fine wale midnight blue corduroy pants, pockets, front fly

This sweetheart of a dress is one of a kind . . . go searchin' for rad vintage bed sheets . . . Miss Sherry will make you one!

Vintage wilderness scene bed sheet, fully lined, white piping, front pockets, vintage trim straps

Erin has a website in the works, I'll be sure to tell you all about it as soon as it is up and running.

For now you can reach her this way: erinsherry@yahoo.com

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Using acrylic, ink and immodest amounts of glitter my work is the balance between two opposing approaches. One, loose painting techniques such as dripping, pours, splatters, which I use to create effective representations of natural elements—weather, water, clouds, smoke, flora, erosion, growth, galaxies . . . . The other approach, that of the tool user, with pen and ink and architects' templates, drafting implements and compasses, I fastidiously draw controlled lines, concentric circles, grids and repetitive dots; these reflect structures and infrastructures that we build.

I am influenced by the look of outer space, computer chips, dramatic weather, electric circuits, decay, rock-n-roll glamour, plans and diagrams, b-rate sci-fi control panels, urban environments, fluid turbulence, engineering schematics and architectural drawings. In the end my dominate subject matter remains the human condition; why and where we build, how we feel, what we do, and what happens when these things intersect.

By the way, musicians IOU. Someday, with my lines, dots, colors and sparkles, I hope to do what you do with an eight letter alphabet.

—Counsel, 2009

Native to the Northwest, Counsel Langley's award-winning work has been exhibited regionally in numerous solo and juried shows, published in select book projects, such as, Jennifer Borges Foster's Filter II and Visual Codec's One Shot, and is held by Seattle City Light's Portable Works Collection. Langley received a BFA in Metals from Massachusetts College of Art, Boston in 1999. Metalsmithing’s emphasis on small-scale details and rich surfaces directly impacts her technique as a painter.

At present, she resides happily in the Pacific Northwest with her commercial fisherman husband and two children.

WHAT THEY SAID

"A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects."
—Robert A. Heinlein

"Inspiration is for amateurs; the rest of us just show up and get to work."
—Chuck Close

"There is no time for cut-and-dried monotony. There is time for work. And time for love. That leaves no other time!"
—Coco Chanel